From the category archives:

Ear Training

Top Five Ways To Play Piano By Ear

by Tania Gleaves on July 16, 2010

Learn scales and try to pick them out in the music you hear.

One of the top five ways to play piano by ear is by learning (at the very least) what scales are and what they sound like. Scales are a series of octave-specific notes that are played in a particular pattern or order. By familiarizing yourself with the most common scales, like the C Major scale for example, you will start to hear them in some of the most popular songs you listen to. Bear in mind that when we say, “you’ll start to hear them,” we don’t mean that you’ll hear an entire riff of “a-b-c-d-e-f-g” notes in a row. What we mean instead is that you’ll hear notes that belong to a particular scale. You may hear for instance, an “a – d – f- c- g – b – e” pattern or a “f – d -b- a- c – g – e” pattern. Knowing the notes of a scale, you could identify them in any song and proudly name the scale that they belong to. Then you could repeat those notes on your piano simply from knowing the scale that they’re in.

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Do the same with chords.

Chords are a combination of three or more notes that blend harmoniously when played together. Like scales, many exist in popular music. By familiarizing yourself with the most basic ones, you will start to hear them in some of your favorite songs as well. At some point, you’ll be able to listen to a song, name the chords, and then play them on your piano.

Play along with simple songs.

It’s a little disheartening to play along Beethoven when you’re just learning your scales and chords! That’s why we recommend that you play alongside simple songs first, instead. Simple songs are heavily based in rudimentary scales and chords, so they make great introductions to learning to play by ear. Playing alongside “Twinkle Twinkle Little Star” for example will help you master the C Major scale, but playing alongside Brahms’ Piano Concerto No. 1 will not! Playing alongside “Happy Birthday” can introduce you to simple chords as well, but playing alongside Gershwin’s “Piano Concerto in F” may send tears streaming down your face! Save the fancy stuff for later.

Don’t be afraid to stop and restart a song repeatedly to get it.

While attempting to play by ear, you’ll need to repeatedly listen to the song that you’re trying to emulate. Don’t be afraid or embarrassed to stop and restart a song at what may seem like.. every other note! Using this strategy, you’re simply training your ear. So feel free to rewind (and rewind), and rewind (and rewind).

Hum the tune as you’re trying to play the song.

Humming the melody of a song or even just a single note can help us capture the same on a piano. Since sound is vibration, humming helps us match the vibration that we hear on the piano. Try it!

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If you have self-studied, as many musicians have, ear training may seem difficult or even impossible. It’s really not impossible or even that hard. There are only two things you need to study ear training at home.

  1. You need to be willing to invest time.
  2. You need to obtain a self-study course.

When you have done that, you may supplement your training with the many free exercises available on the Web, many of which are of very high quality.

Click Here To Get The Facts About Ear Training!

What’s the Point?

There are many reasons for training your ear. When your sense of pitch (both relative and “perfect“) and tone is improved, it enables you to improvise, compose, and play with other musicians. No matter what instrument you play, ear training is critical.

It will also help you improve your sight reading skills – letting you compose, create, and play by ear. Without training, you will be permanently tied to sheet music or memorized songs.

Training will improve all of your musical skills, in both theory and practice. Soon you will find yourself jotting down songs wherever you go.

How It Works

Almost any training method you may choose will use the standard training methods that have been practiced for over 100 years. Typically, you will start by learning to recognize intervals and gradually progress up to full melodies, followed by rhythmic notation. After that, you will learn chords and chord progressions.

Whether you only take a beginner’s course, or follow a full path of study, any amount of ear training will improve your musicianship. Striving to complete a full course of study is, however, ideal and will open up areas of music you didn’t know existed.

There are many free exercises and drills on the Web, but you will get more benefit out of them if you first understand the theory, which is where a course or at least a good book will come in handy.

The types of exercises used are very simple. In fact, you can do one right now and see what it’s like.

1. Start by singing a major scale, all the way up and all the way down. If you’re not sure about pitch, sing along with a piano, or your instrument of choice.

2. Then, sing the intervals by name: 1-2, Major 2nd; 1-3, Major 3rd; 1-4, Perfect 4th; 1-5, Perfect 5th; 1-6, Major 6th; 1-7, Major 7th; 1-8, Perfect Octave.

See, it really isn’t that hard.

Which Course to Choose?

Courses such as Dave Burge’s Perfect Pitch Supercourse and Relative Pitch ear training cost a lot of money, but many people swear by them. If you have the money to spend, both courses offer a money back guarantee, so there’s really no harm in trying them out.

However, if you don’t have the money to spend, or prefer visual learning to just listening, there are a variety of software packages available to help you train your ear. Many of them cost less than $50.00 and some great ones are even free. You should have no problem finding one compatible with your computer’s operating system and your level of musical ability.

Conclusion

In the end, it doesn’t matter what course you choose, it only matters that you dedicate the necessary amount of time and patience to hone your skills.

If you are willing to make a serious commitment, you can’t help but be successful.

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Play Piano By Ear – Learning To Play Without Any Experience

July 7, 2010

Which is better? By ear or notation?
Learning to play piano by ear has always been a controversy probably since the piano was invented.
Proponents of this approach claim that it’s easier and it reinforces key listening skills while critics claim that it doesn’t teach people how to play – it teaches people how [...]

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Perfect Pitch – How It’s Achieved And What’s Involved

June 6, 2010

What Is Pitch?
To make a long physics lesson short, pitch is the rate at which a sound vibrates. Mathematically, Hz (hertz, or cycles per second) units denote pitch and the faster the vibration — the higher the tone. The A note for example vibrates faster than a C or D note [...]

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Relative Pitch – Distinguishing the Framework of Music

May 9, 2010

The Sound of Chords
Unlike perfect pitch, which is the sound of single notes, relative pitch is the sound of chords. A chord is a group of notes that when played together, create a new sound called a harmony. This harmony can be major, minor, or any one of the [...]

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Perfect Pitch Ear Training Supercourse

January 13, 2010

Product Overview
Burge’s Perfect Pitch Ear Training Supercourse is the only absolute pitch (the ability to accurately identify a tone/ pitch by hear) training program for adult musicians that has been scientifically proven to provide results.
This course is designed for musicians who would like to acquire perfect pitch. It only [...]

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Relative Pitch Ear Training Supercourse Review: Play Music By Ear

December 3, 2009

Product Overview
Burge’s Relative Pitch Ear Training Supercourse is designed to help all levels of musicians acquire relative pitch, simply through practice, listening and focus.
This course is designed for musicians who would like to acquire relative pitch. Explaining the purpose of the course, the creator says: “You are limited or [...]

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