Understanding The Circle of Fifths

by Tania Gleaves on June 29, 2010

The circle of fifths, introduced by Johann David Heinichen in 1728, is a visual arrangement of related keys. Although its name gives the impression that it’s a difficult concept to grasp, it’s really just an easy way to remember the number of sharps and flats in a key signature and the major and minor key relationships.

Click Here And Finally Learn What Circle Fifths Are All About!

Sharps and Flats

If you can imagine a clock for a moment, where each hour represents a particular key, you can identify that key’s sharps and flats. Let’s say that:

  • 12:00 or “0:00” represents the C Major key (or the A Minor key)…
  • 1:00 represents the G Major key (or the E Minor key)…
  • 2:00 represents the D Major key (or the B Minor key)…
  • 3:00 represents the A Major key (or the F# Minor key)…
  • 4:00 represents the E Major key (or the C# Minor key)…
  • 5:00 represents the B Major key (or the G# Minor key)…
  • 6:00 represents the F# Major key (or the Eb Minor key)…
  • 7:00 represents the Db Major key (or the Db Minor key)…
  • 8:00 represents the Ab Major key (or the F Minor key)…
  • 9:00 represents the Eb Major key (or the C Minor key)…
  • 10:00 represents the Bb Major key (or the G Minor key), and
  • 11:00 represents the F Major key (or the D Minor key).

Perfect Fifths

If you’ll notice, each hour (or key) is separated by a perfect fifth (moving clockwise). A perfect fifth is an interval made up of three whole steps and one half step. For example, A perfect fifth above C is G, and a perfect fifth above E is B. This is where the pattern gets its name . It follows a unique pattern on our imaginary clock where:

  • … the perfect fifth of the C Major key is G.
  • … the perfect fifth of the G Major key is D.
  • … the perfect fifth of the D Major key is A.
  • … the perfect fifth of the A Major key is E.
  • … the perfect fifth of the E Major key is B.
  • … the perfect fifth of the B Major key is F#.
  • … the perfect fifth of the F# Major key is C#.
  • … the perfect fifth of the C# Major key is G#.
  • … the perfect fifth of the G# Major key is D#.
  • … the perfect fifth of the D# Major key is A#.
  • … the perfect fifth of the A# Major key is F.
  • … the perfect fifth of the F Major key is C.

This pattern helps us determine the sharps and flats of a signature because they’re always a perfect fifth away (moving clockwise). Just remember that sharps increase in the clockwise direction while flats increase in the counter-clockwise direction (note: when you move counter-clockwise, each hour- or key- is separated by a perfect fourth).

Related Keys

As an example, the C Major and A Minor keys are related because they both lack sharps and flats. Based on the circle of fifths, we discover that a single flat relates the F major key to the D minor key while a single sharp relates the G major key to the E minor key as well. Two flats relate the Bb key to the C major key while two sharps relate the D major key to the C major key too. Three flats relate the Eb key to the C major key while three sharps relate the A sharp key to C major key. Starting to see a pattern? The concept is of course easier to understand with a visual.

circle of fifths Understanding The Circle of Fifthscircle of fifths chart

The Enharmonic Notes

The 5:00, 6:00, and 7:00 hours are unique in that they help you identify different notes with the same pitch. These notes are said to be enharmonic to each other:

  • “5:00″ can either be B Major (G# Minor) with five sharps (from the clockwise perspective) or Cb Major (Ab Minor) with seven flats (from the counter-clockwise perspective).
  • “6:00″ can either be F# Major (D# Minor) with six sharps (from the clockwise perspective) or Gb Major (Eb Minor) with six flats (from the counter-clockwise perspective).
  • Lastly, “7:00″ can either be C# Major (A# Minor) with seven sharps (from the clockwise perspective) or Db Major (Bb Minor) with five flats (from the counter-clockwise perspective).

Click Here And Finally Learn What Circle Fifths Are All About!

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{ 14 comments… read them below or add one }

eileen October 28, 2009 at 9:53 am

Eileen,

Have Eliesse memorize this chart, it will give her at least 15 points in Theory 1.

Eric

UCHY November 17, 2009 at 7:23 am

i am a fresher in piano and i need major and minor scale progressions on blues

Brian November 17, 2009 at 10:09 am

Hi Uchy,

There really only one type of blues scale that’s usually played…

Here’s how to get them:

From the major scale (http://www.piano-lessons-central.com/piano-scales/all-12-majors-scales/), you merely, take the 1,b3,4,b5,5,b7 and you have the blues scale for that key.

For example, blues scale in the key of C is C, Eb, F, Gb, G, Bb.

That’s it!

Also, check out: http://www.piano-lessons-central.com/category/blues-piano/

Good luck.

Cornelius Young November 21, 2009 at 8:30 am

So I was looking at the clock analogy for the circle of fifths. That works well for the sharp keys and if you took C# and Cb it could work well at 12 oclock, but for the flats it would definitely be confusing.

Brian November 21, 2009 at 9:36 am

Hey Cornelius!
C# is enharmonic (same pitch) with Db
Cb is enharmonic (same pitch) with B

So the analogy still applies for both at Db and B, respectively.

Remember the notes that are enharmonic (e.g. Gb/F#, Ab/G#, Eb/D#, etc.)…If you take this into account, the Circle of 5th’s works.

…Also, the circle of fifths represent the keys most commonly used. You’ll rarely find a piece written, for example, in the key of Cb…I would be written in the key of B, which has the same pitches, etc.

Lynn November 23, 2009 at 3:58 pm

Thank you soooooo much!!!! I have been a musician for as long as I can remember (I play multiple woodwinds, bass guitar and piano) and..believe it or not… this is the FIRST time the Circle of Fifths has ever made sense to me. I learned all my scales the hard way – memorization. For some reason the Circle-of-Fifths just confused me. I realy can’t thank you enough for bringing ease to one of the biggest frustrations in my musical career.
Thank you!!!

Brian November 23, 2009 at 6:09 pm

My pleasure, Lynn!

…I hope to add even more tips soon…Have FUN :D

Jenny December 11, 2009 at 4:14 pm

Hi, when it gets to 6 0′clock i just swap the F for G AND remember to add a flat eg; B C D E F# CHANGE TO GFLAT G A B C D add flat, count of 5 works all the way round.

Brian December 13, 2009 at 1:41 pm

Thanks, Jenny! That works too :)

Sean December 21, 2009 at 9:29 pm

I thought there were two more enharmonic keys, like with Db there is C#, and with B there is Cb?

Brian December 21, 2009 at 11:43 pm

Yes…I say this under “The Enharmonic Notes”…thx

Gorehound1313 February 19, 2010 at 6:36 pm

It’s also a circle of Consonance and Dissonance, with the most dissonant(the Tri-tone, F#) at the bottom. Very handy.

serj March 13, 2010 at 10:12 am

hey everybody, I’m a bit confused about what the flat and sharp means, because english is not my mother tongue. if someone know how to explain me, I aperciate, tnx

Erik Thiede March 13, 2010 at 3:04 pm

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