Using the piano chord chart table, Here are the B flat Chords:
| B Flat Chord Name | Symbols | Chords Notes* | |||||||
| B flat Major (implied if without notation) | BbM or Bbmaj or Bb | B flat | D | F | |||||
| B flat Minor | Bbm | B flat | D flat | F | |||||
| B flat Augmented | Bbaug or Bb+ | B flat | D | G flat | |||||
| B flat Diminished | Bbdim or Bb o | B flat | D flat | E | |||||
| B flat Dominant 7th | Bb7 | B flat | D | F | A flat | ||||
| B flat Major 7th | BbM7 or Bbmaj7 | B flat | D | F | A | ||||
| B flat Minor 7th | Bbm7 | B flat | D flat | F | A flat | ||||
| B flat Dominant 7b5 | Bb7b5 | B flat | D | E | A flat | ||||
| B flat Augmented Dominant 7th or B flat Dominant Seventh Sharp 5 | Bb7#5 | B flat | D | G flat | A flat | ||||
| B flat Minor/ Major Seventh | Bbm/M7 or Bbm/maj7 | B flat | D flat | F | A | ||||
| B flat Diminished Minor Seventh or B flat Minor Seventh Flat Five or B flat Half-Diminished Seventh | Bbm7b5 | B flat | D flat | E | A flat | ||||
| B flat Diminished 7th | Bbdim7 | B flat | D flat | E | G | ||||
| B flat Suspended or B flat Suspended 4th | Bbsus or Bbsus4 | B flat | D | E flat | F | ||||
| B flat Minor Suspended or B flat Minor Suspended 4th | Bbmsus or Bbmsus4 | B flat | D flat | E flat | F | ||||
| B flat Major 6th | Bb6 or BbM6 | B flat | D | F | G | ||||
| B flat Minor 6th | Bbm6 | B flat | D flat | F | G | ||||
| B flat Six/Nine or B flat Sixth Add Ninth | Bb6/9 or Bb6add9 | B flat | D | F | G | C | |||
| B flat Minor Six/Nine or B flat Minor Sixth Add Ninth | Bbm6/9 or Bbm6add9 | B flat | D flat | F | G | C | |||
| B flat Add Nine | Bbadd9 | B flat | D | F | C | ||||
| B flat Minor Add Nine | Bbmadd9 | B flat | D flat | F | C | ||||
| B flat Major Ninth | BbM9 or Bbmaj9 | B flat | D | F | A | C | |||
| B flat Minor Ninth | Bbm9 | B flat | D flat | F | A flat | C | |||
| B flat Dominant Ninth | Bb9 | B flat | D | F | A flat | C | |||
| B flat Dominant Sharp Nine | Bb7#9 | B flat | D | F | A flat | D flat | |||
| B flat Dominant Flat Nine | Bb7b9 | B flat | D | F | A flat | B | |||
| B flat Minor Eleventh | Bbm11 | B flat | D flat | F | A flat | C | E flat | ||
| B flat Dominant Eleventh | Bb11 | B flat | D | F | A flat | C | E flat | ||
| B flat Dominant Sharp Eleventh | Bb7#11 | B flat | D | F | A flat | C | E | ||
| B flat Major Sharp Eleven or B flat Major Seventh Sharp Eleventh | Bbmaj#11 or Bbmaj7#11 | B flat | D | F | A | C | E | ||
| B flat Major Thirteenth | Bbmaj13 | B flat | D | F | A | C | E flat | G | |
| B flat Minor Thirteenth | Bbm13 | B flat | D flat | F | A flat | C | E flat | G | |
| B flat Dominant Thirteenth | Bb13 | B flat | D | F | A flat | C | E flat | G | |
* Bolded notes are optional
Further Resources:
- Visual Instant Piano Chord Chart Finder
- Hear and Play Course Course
- Relative Pitch Ear Training Course
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{ 3 comments… read them below or add one }
i waited so long to get this information, i just love it!. nyiko. pta
Interesting that someone did this chart, nice job. I notice though some fun things to think about: 1. “technically” any Bbdim chord has Fb not E (same note I know) and the Adouble flat, not G for the fully diminished Bb7. Same is true for a #9 that it is C# and not the Db as listed. True again, same note, called enharmonics.
In theory, how is one to know the actual name for a chord when all these enharmonics are often used? For example, a Bb D E Ab is the Bb7b5 or it could an E7b5 in the 2nd inverion since the true notes are not used, but enharmonics are given. Darn confusing, isn’t it? Then in jazz they voice the chords so cool that sometimes it seems impossible to know for sure what the chord would be named, as example from lowest notes up: E A D G C F with 3 notes for each hand. I saw this listed as a C13, sounds cool, but is missing a B for the Maj7 pitch, so why not also call it an F9plus13 or since the D is not on top, an F9plus6 and in all cases, the inversion is not given, so lets just add the /E after the chords shall we? So now I read F9plus6/E. Crazy, music theory, stuff for those with too much time on their “hands”, haha!
Great observations, rklkeys…and you’re right about the enhramonics. These chords already looked intimidating. I didn’t want to add to the confusion by using “Fb” or “Abb”, etc even though music theory says that I should.
The best way to determine a jazz chord is within the context of the previous/ proceeding chords and the key.
The Maj7th is missing because the C13 usually acts as a “dominant’ chord (in place of a dominant 7th; maj-min 7th chord).
Thanks for you comment!!