Piano Music Books - A Guide To
Selecting The Right Ones
There are probably hundreds of
thousands of piano music books available and this number is
enough to overwhelm anyone! Fortunately, most of them are
organized in various categories to make their selections
fairly easy. The following describes some of those
categories while disregarding for a moment the cost,
language, or locality of where they may be used.
By Composer
Finding piano music books by
composer is always an option and finding music in this
category will strengthen your appreciation of the artist
behind the music. There are hundreds to choose from and they
range from the most popular to the virtually unknown. The
following is a list of the more popular composers:
William Byrd
Giovanni Gabrieli
Heinrich Schutz
Henry Purcell
Antonio Vivaldi
Johan Sebastian Bach
George Frideric Handel
Franz Joseph Haydn
Wolfgang Amadeus Mozart
Franz Schubert
Ludwig van Beethoven |
Frederic Chopin
Robert Schumann
Franz Liszt
Johann Strauss II
Johannes Brahms
Pyotr Ilyich Tchaikovsky
Richard Wagner
Claude Debussy
Richard Strauss
George Gershwin
Igor Stravinsky |
By Skill
By convention, piano music books are
also categorized by skill:
Beginner - appropriate for the
pianist who is learning about basic music notation, scales,
tempo, basic rhythms, scores, and simple melodies for
example.
Intermediate - appropriate for the
pianist who is learning about chords, dynamics,
articulation, cadence, and music variation for example.
Advanced - appropriate for the
pianist who is learning about playing solo or as part of a
duet, in addition to other complicated aspects of piano
composition.
By Genre
Piano music books categorized by
genre really shed insight into why classical piano music was
written and what external forces in history influenced the
way that it was composed. The major genres that we have are
the Middle Ages and Renaissance, the Baroque Era, the
Classical Era, the Romantic Era, and the Twentieth Century.
One of the problems in appreciating classical music (as well
as any other form of art) is failing to appreciate the time
in which it was created and the societal pressures that
influenced its development. Yet it's really amazing to see
how that appreciation transforms into a deep respect the
moment that its history is understood.
Since each one of us plays the piano
for different reasons, we can select our materials according
to our own motives. Whether the motives are technical,
historical, or out of sheer admiration, we now have an ample
supply of materials that can help shape our experience with
playing the piano into one that is uniquely our own. In the
absence of such choice, we are left alone to dictation and a
situation that breeds conformity instead of creativity.
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Selecting The Right Ones"
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